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Scotland
Born This Week
Reviews
Freshers Edition 2025
Home
About
Features
News
Scotland
Born This Week
Reviews
Freshers Edition 2025
The oldest Student publication affiliated with the University of St Andrews
FEATURES
Features
Oct 2, 2025
Scorsese and Klimt: Deification and Detachment in Shutter Island and The Kiss
Oct 2, 2025
Oct 2, 2025
Sep 25, 2025
Neon Romanticism: Wong Kar-wai’s Fallen Angels and the Afterlife of Nineteenth Century Longing
Sep 25, 2025
Sep 25, 2025
Apr 28, 2025
"Before and Beyond, Our Journey." Kim Ah Sam at the Sixth Asia Pacific Triennial.
Apr 28, 2025
Apr 28, 2025
Apr 21, 2025
Dima Srouji's "Ghosts."
Apr 21, 2025
Apr 21, 2025
Apr 14, 2025
Elizabeth Siddal as Herself: Artist, and Muse.
Apr 14, 2025
Apr 14, 2025
Apr 7, 2025
Training Transskribus on Middle Dutch: Are AI Transcriptions of Handwritten Text Here to Stay?
Apr 7, 2025
Apr 7, 2025
Mar 31, 2025
“We will meet your violence with a loving embrace”: Remembering the Greenham Common Women’s Peace Camp.
Mar 31, 2025
Mar 31, 2025
Mar 30, 2025
“What Charm in their Brush!”: Lebrun, Boilly, and Dutch Art in Revolutionary France
Mar 30, 2025
Mar 30, 2025
news
News
Oct 6, 2025
Milan Fashion Week 2025: Art Meets Fashion - Who's in Charge Next?
Oct 6, 2025
Oct 6, 2025
Sep 29, 2025
‘Restoring Truth and Sanity’ or Creating a Fictional History? Donald Trump’s Erasure of the Black American Past
Sep 29, 2025
Sep 29, 2025
Sep 22, 2025
Project Domini: The £375 Million Physical and Artistic Expansion of London’s National Gallery
Sep 22, 2025
Sep 22, 2025
May 1, 2025
New York’s Spring Marquee Auctions: A Preview
May 1, 2025
May 1, 2025
Apr 24, 2025
Navigating a Market in Crisis: Art Dubai 2025 and the Rise of the Arab Art Market
Apr 24, 2025
Apr 24, 2025
Apr 17, 2025
The Prodigal Son Returns: Abstract Art on the Rise Again in New York
Apr 17, 2025
Apr 17, 2025
Apr 10, 2025
Make America Proud: The Brusque Presidential Agenda Eliminating the Vital Funding Agencies of the US Art World
Apr 10, 2025
Apr 10, 2025
Apr 3, 2025
Just Stop Oil Call It Quits on Chaos
Apr 3, 2025
Apr 3, 2025
s
co
T
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A
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Scotland
Sep 30, 2025
Scots in Venice
Sep 30, 2025
Sep 30, 2025
Sep 23, 2025
Highland Stoneware: A Sure Touchstone
Sep 23, 2025
Sep 23, 2025
Apr 30, 2025
‘No Foreign Lands’: Peter Doig’s World
Apr 30, 2025
Apr 30, 2025
Apr 23, 2025
Angel-spun: Shetland Lace
Apr 23, 2025
Apr 23, 2025
Apr 16, 2025
Open-air Gallery: The Public Art of Dundee City
Apr 16, 2025
Apr 16, 2025
Apr 10, 2025
Storms, Steamers, Staffa: Fingal’s Cave in the Eyes of J. M. W. Turner
Apr 10, 2025
Apr 10, 2025
Apr 2, 2025
An Ode to Scotland’s Countryside: Millie Frood’s Swirling Landscapes
Apr 2, 2025
Apr 2, 2025
Mar 26, 2025
Jupiter Artland: Scotland’s Hidden Artistic Gem
Mar 26, 2025
Mar 26, 2025
born this week
Born This Week
Oct 1, 2025
Pierre Bonnard (1867-1947)
Oct 1, 2025
Oct 1, 2025
Sep 24, 2025
Okada Kenzo (1902-1982)
Sep 24, 2025
Sep 24, 2025
Apr 30, 2025
F. E. McWilliam (1909-1992)
Apr 30, 2025
Apr 30, 2025
Apr 22, 2025
Cy Twombly (1928-2011)
Apr 22, 2025
Apr 22, 2025
Apr 18, 2025
Joan Snyder (b. 1940)
Apr 18, 2025
Apr 18, 2025
Apr 8, 2025
Alfred Cheney Johnston, 1885-1971
Apr 8, 2025
Apr 8, 2025
Apr 1, 2025
Dan Flavin, 1933-1996
Apr 1, 2025
Apr 1, 2025
Mar 25, 2025
J. C. Leyendecker, 1874-1951
Mar 25, 2025
Mar 25, 2025
REVIEWS
Reviews
Oct 3, 2025
The Wallace Collection: Marylebone’s Hidden Treasure
Oct 3, 2025
Oct 3, 2025
Sep 26, 2025
Yale Center for British Art Seen in a New Light – Beautifully Presenting J.M.W. Turner and Tracey Emin Together
Sep 26, 2025
Sep 26, 2025
May 2, 2025
The British Library: An Understated Icon
May 2, 2025
May 2, 2025
Apr 23, 2025
A Sweet Treat: Reviewing the St Andrews Chamber Opera’s Coffee Cantata
Apr 23, 2025
Apr 23, 2025
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