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Scotland
Born This Week
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The Art of Advent
Home
About
Features
News
Scotland
Born This Week
Reviews
The Art of Advent
The oldest Student publication affiliated with the University of St Andrews
FEATURES
Features
Nov 30, 2025
Abjection and the Fragmented Body: Reflections on Monstrosity and Vulnerability
Nov 30, 2025
Nov 30, 2025
Nov 29, 2025
The Aesthetics of Stillness and Spectacle: How Chinese Film Techniques Mirror Contemporary Chinese Art
Nov 29, 2025
Nov 29, 2025
Nov 27, 2025
Yoshitomo Nara: An Insight into the Artist’s Creative Imagination and the Enduring Influences on His Work
Nov 27, 2025
Nov 27, 2025
Nov 24, 2025
Symmetry and Sentimentality: Wes Anderson and the Afterlife of Classical Composition
Nov 24, 2025
Nov 24, 2025
Nov 13, 2025
Korea and Cuba: Photographing Homeland and Diaspora
Nov 13, 2025
Nov 13, 2025
Nov 6, 2025
Petrit Halilaj’s An Opera Out of Time: A Dreamscape of Freedom and Identity
Nov 6, 2025
Nov 6, 2025
Oct 30, 2025
The Aestheticization of History: Marie Antoinette and the Politics of Display
Oct 30, 2025
Oct 30, 2025
Oct 23, 2025
Artemisia Gentileschi: The Pioneering Feminist Baroque Artist and Her Revolutionary Depictions of Women
Oct 23, 2025
Oct 23, 2025
news
News
Nov 24, 2025
Fall of Freedom: The Creative Resistance Movement sweeping the US
Nov 24, 2025
Nov 24, 2025
Nov 17, 2025
Tate Strike Spotlights Pay Crisis Across the Arts and Heritage Sector
Nov 17, 2025
Nov 17, 2025
Nov 10, 2025
The Fate of Inherited Collections: Planned Crime or Necessary Demolition?
Nov 10, 2025
Nov 10, 2025
Nov 3, 2025
Bills, Bills, Bills: Paris Art Week and the Cost Versus Reward of Art Shows
Nov 3, 2025
Nov 3, 2025
Oct 27, 2025
Arrests and Valuations: The Louvre Heist One Week On
Oct 27, 2025
Oct 27, 2025
Oct 20, 2025
Breaking News: Priceless Jewellery Stolen in Heist at Louvre Museum in Paris
Oct 20, 2025
Oct 20, 2025
Oct 20, 2025
Frieze Fairs 2025: Is the London art space returning to a Golden Age?
Oct 20, 2025
Oct 20, 2025
Oct 13, 2025
Between Art, Myth … and Fraud? Dalí fakes seized from Italian Exhibition
Oct 13, 2025
Oct 13, 2025
s
co
T
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A
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Scotland
Nov 26, 2025
Locating the Uncanny: Scotland’s Gothic Haunts
Nov 26, 2025
Nov 26, 2025
Nov 18, 2025
The People's Curator: Elspeth King and the Democratisation of Scottish Museology
Nov 18, 2025
Nov 18, 2025
Nov 11, 2025
Italian Renaissance Masters: Inspiring Scotland
Nov 11, 2025
Nov 11, 2025
Nov 4, 2025
Materials Over Meaning: The Sculptures of Karla Black
Nov 4, 2025
Nov 4, 2025
Oct 28, 2025
"Outlying Kith-and-Kin": The Last of the Clan
Oct 28, 2025
Oct 28, 2025
Oct 21, 2025
Faith as Valour: The Magic of Scotland's National Animal
Oct 21, 2025
Oct 21, 2025
Oct 14, 2025
Who is the Museum For? Class, Inclusion, and The Burrell Collection
Oct 14, 2025
Oct 14, 2025
Oct 7, 2025
Into the Woods: Andy Goldsworthy on the Scottish Landscape
Oct 7, 2025
Oct 7, 2025
born this week
Born This Week
Nov 26, 2025
Marie Bashkirtseff (1858-1884)
Nov 26, 2025
Nov 26, 2025
Nov 19, 2025
Evelyn Beatrice Longman (1874-1954)
Nov 19, 2025
Nov 19, 2025
Nov 12, 2025
Lila Oliver Asher (1921-2021)
Nov 12, 2025
Nov 12, 2025
Nov 5, 2025
Gerrit van Honthorst (1592-1656)
Nov 5, 2025
Nov 5, 2025
Oct 29, 2025
Ruben Ochoa (1974-Present)
Oct 29, 2025
Oct 29, 2025
Oct 22, 2025
Harry Callahan (1912-1999)
Oct 22, 2025
Oct 22, 2025
Oct 15, 2025
Roland Penrose (1900-1984)
Oct 15, 2025
Oct 15, 2025
Oct 8, 2025
Guido Molinari (1933-2004)
Oct 8, 2025
Oct 8, 2025
REVIEWS
Reviews
Nov 28, 2025
Sublimity and Sterility- The Group of Seven at the Art Gallery of Ontario (AGO)
Nov 28, 2025
Nov 28, 2025
Nov 21, 2025
On Gerhard Richter at Fondation Louis Vuitton:
Nov 21, 2025
Nov 21, 2025
Nov 14, 2025
Reflecting on London Design Biennale 2025 at Somerset House
Nov 14, 2025
Nov 14, 2025
Nov 10, 2025
What do we do with Great Art by Bad People? A Review of Claire Dederer's Monsters
Nov 10, 2025
Nov 10, 2025
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